Council of Guardians

  • Intro.

    Life began with a single cell, then an explosion of life on Earth. We are part of Earth. Our Ancestors knew this deep within their beings. We are the Air, the Sea, the Land, the Plants, the Animals. We are unique, yes. However, we must not forget the We are One with the Earth and all living beings.

    Interconnection runs deep.

  • Inspiration

    The land and oceans have been a prominent feature in my life. As an adventurer, I have personally and professionally, worked on tracks, as a guide, on rivers whitewater rafting, and sailed across Oceans. I love being outside in the environment!

  • Cultural Context.

    Ancestral wisdom from Pacific Island and other indigenous cultures emphasizes a deep, spiritual connection to land and sea, with principles such as communal ownership, sustainable management (Kaitiakitanga), and respect for sacred spaces (Tapu). Oral traditions play a crucial role in passing down ecological knowledge and cultural practices.

Concept

Council of Guardians invites us to reflect on our role as guardians of both our oceanic and land environments. Each ancestor and its pou feature designs and patterns from their own traditions and cultural life. For example, seabirds paired with Easter Island and their "Birdman" tradition. Sharks, hooks, fish traps and paddles decorate the pou on which the Cook Island ancestor sits, demonstrating their connection with the ocean and fishing. I chose to give different expressions to each ancestor, show that some are attending the meeting, some are unhappy, and looking away. This is to represent the reality of our current environment , but also that of serious discussions. That we all carry different perspectives be it cultural, experiential or historical in nature.

By looking back to learn and bring this reverence forward, we can teach our children and reshape our systems to be more caring and accommodating to nature, rather than dominating and owning the Earth. We must remember that we are part of nature, not apart from it.

Cloaked Chief 1.

Cloaked Chief

Cloaked Chief, 2023.

Serpentine, Treated Timber, Rope, Shell, Acrylic, Oil Based Paint, Steel Pin.

2300mm x 400mm x 400mm.

The Cloaked Chief stands proud with an even gaze. His cloak features an engraved Manta Ray tattoo with frigate bird, weaving patterns, symbols for ancestors, mountains and other cultural symbols blending art and heritage. The Pou upon which he rests, tells a story of Creation, honoring Pacific traditions and stories.

The left image, was part of the orginal ‘Council’. He has SOLD. The background image, is the newer version, which is available.

She Is Chief

Pink Granite,Treated Timber, Rope, Shell, Coral, Copper, Oil Based Paint, Steel Pin. SOLD.

2300mm x 400mm x 400mm.

Honouring all Pacific women, this sculpture signifies, beauty, strength and women’s presence in society and councils. Her necklace is created from delicate shells and some Coral. She carries a leaf shaped fan. this blends in with the engraved designs upon the pou: the gourd and palm tree, repesenting the womens’ gatherer, gardener, crafts and weaving roles.

Masked Ancestor

Andesite, Agate, Treated Timber, Rope, Oil Based Paint, Steel Pin.

2300mm x 400mm x 400mm.

The mask’s expression has the intention of discontent and staunchness of this Solomon Islands inspired work. He represents the greater , West Pacific Islands. He stands in a grassland to repesent the land itself which is homw to us all.

Common Ancestor

Andesite, Treated Timber, Rope, Oil Based Paint, Steel Pin.

Engraved with tall mountains and the sun on the anterior, and a long braid on the posterior, this ancestor stands tall and proud.

His connection to the land is strong.

Rapa Nui Ancestor

Andesite, Pounamu, Treated timber, Rope, Acrylic and Oil Based Paint, Steel Pin.

2300mm x 400mm x 400mm.

This sculpture depicts Easter Island's environmental devastation. Engraved leaves represent deforestation, highlighting environmental degradation. His sideways gaze suggests contemplation and taking responsibility. Resting on a pou with frigate birds to show the Birdman tradition. The tradition of Tangata Manu involved a yearly competition for sooty tern egg. Winning ‘Birdman’ gained prestige and control over clan resources. This piece intertwines environmental crisis and cultural heritage, prompting reflection on human impact.

The 'Council' gathered around the Talking Stick.

The 'Council' gathered around the Talking Stick.

In the Council of Guardians, a central talking stick adorned with intricate Pacific designs serves as the focal point. Each side of the stick represents an element: air, earth, water, and man-made tools. The top features a navigational compass, symbolizing guidance. The upper half has sharp angles inspired by traditional roofs and pou, while the middle section depicts marine life like fish, rays, and plankton. The lower section is square, representing foundation posts, and features symbols such as birds, spears, mountains, and shark teeth, varying by Pacific region. This talking stick embodies the deep connection between ancestors, nature, and cultural heritage.

Cook Islands Ancestor

Andesite, Treated Timber, Rope, Oil Based Paint, Steel Pin.

2300mm x 400mm x 400mm.

Sharks, hooks, fish traps and paddles decorate the pou on which the Cook Island ancestor sits, demonstrating their connection with the ocean and fishing.